Open Casting Call for Zombie Actors

The producers of the Resident Evil film franchise have announced an open casting call for the upcoming fifth film in the franchise staring Milla Jovovich. Now while we at the Zombie Actors Guild would be pleased if undead actors got a chance at bigger roles this is an excellent chance for an emerging zombie actor to get some exposure and experience in a major motion picture.

“Zombies aged between 18 and 34 have been asked to submit a minute-long audition tape acting out their favorite Resident Evil line for a shot at the once-in-a-lifetime prize.”

To submit your audition video visit

The submission period ends October 3, 2011


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Love Letter from an Open Grave

It is not very often that a film comes along that provides roles for zombie actors requiring more range than grunting, shambling and eating brains. As we all know zombies are so much more than this, particularly the extremely talented members of ZAG who have made entertaining their un-life. That is why we are profiling Love Letter from an Open Grave not only does the film provide a lot of roles for zombies but it breaks some of the commonly held yet factually incorrect stereotypes that zombies can’t act, can’t talk and can’t dance!

You can watch the film below:

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Welcome to the Zombie Actors Guild web site

It is time to join the world’s fastest growing entertainment labour organization for zombies.

  • Are you a zombie working as an actor/stunt performer in the cinema, television and/or new media industries?
  • Are you dead tired after working long hours as an extra chasing humans around the set?
  • Are you in a dispute with a producer over that incident where you ate a locations PA (or two)?

Then you need to become a member of the Zombie Actors Guild.

With the number of zombie movies, games and websites worldwide at historic high levels we the hard-working zombies behind the scenes represent one of the most, if not the single most, powerful global cultural work forces. Yet when was the last time you saw a zombie with a head credit, let alone a head? Brains on the craft services table? After a hard day of chasing slow-moving humans around the set, who pays for that zombie chiropractor? Who understands that just because you can’t die, doesn’t mean it won’t hurt when that first-time director calls for take one million of the arm-ripping-off scene?

At Zombie Actors Guild we’re working hard to address these urgent issues and more. We work with the best zombie lawyers, agents, acting coaches and activists, giving voice to those who have none, often due to their decomposing vocal cords. Help us to crush the soul-crushing “vitalism” shambling through our global culture, marginalizing us all both on-screen and off. Together our groans will be heard!

ZAG continues to grow in the way only an army of the undead can. Keep checking our site for even more content.

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Zombie Anti Defamation League

They may not be actors but they are zombies! and they also show the collective spirit that we zombies are known for. The Zombie Anti Defamation League recently gave a shout out to ZAG over on their site so we are returning the favour.

ZADL mission is “to not only counter vitalist hate speech and misrepresentations, but also to act as a consciousness raising guide to those who may have not yet made the leap from death to a Post Vital existence.” And that my fellow zombies is a noble mission.

You can see the nice things they had to moan about ZAG here:

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Pontipoolificating on Canadian Zombie Thriller…
April 24, 2009, Sem Caj, ZAG Cultural Monitoring Committee Chair


Respectful TX of Zombies earns Canadian Director Bruce MacDonald 4/5 Shattered Skulls
& Zombie Actors Guild Assurances his Flesh remains Safe for One More Film

While not entirely devoid of dangerous vitalistic human jingoism and hurtful Zombie stereotypes, we are nonetheless pleased to report that PONTYPOOL, the latest Zombie thriller by Canadian human & indie Director Bruce MacDonald passes the Zombie Actors Guild CMC assessment with 4 out of 5 shattered skulls for its respectful portrayal of zombies both on-screen and off.

Historically a hotbed, or should I say “coldbed” of Zombie-sploitation both on screen and off, Canada may be emerging as one of the more Zombie-friendly global workshops, if PONTYPOOL is any indication. While PONTYPOOL is not above trading on artfully splattered precious Zombie flesh and blood, it also provides several of the most memorable and challenging roles for Zombie actors since Omega Man in 1971.

Starting with the hero, DJ Grant Mazzy, around whose morning radio show Mazzy in the Morning the action of this esoteric zombie outbreak revolves. Grant Mazzy may be the most complex, literate Zombie Patient Zeros to grace the big screen.  No moany, flesh-starved shambler, Mazzy, despite his modest protestations, waxes eloquent in both official languages, intoning his spellbinding rhetoric in a rich baritone voice both over the airwaves and off:

“How do you stop understanding something?”

“Do you really want to provide a genocide with elevator music?”

Not Mazzy. In fact it is Mazzy who abandons his weather reports and bus service updates to solve the conundrum of this curious Zombie outbreak with an innovative linguistic solution;

“You have to kill the word that’s killing you.”

“Kill all the killing!”

His plan involves a simple but ingenious orthographic substitution:


Ah but will it work Grant? Will it work? No spoiler this review will never tell but suffice to say the outcome demonstrates an exceptional degree of respect and sensitivity toward both the Zombie character and the Zombie actor behind the scenes.

Further, Grant Mazzy is not just another token gesture of respect toward the Zombie community, as you might expect from any filmmaker with a lifelong attachment to his brains. After Mazzy you might expect MacDonald to mow through a mountain of Zombie stunt extras in a blatant appeal to the ugliest human vitalism in the audience. Well not in PONTPOOL. Here even supporting Zombies receive quasi-respectful treatment.

“You be the killer. I don’t want to be the killer,” Love interest and show producer Sydney Brian pleads with Mazzy who in turn insists that he will not be the killer either.

With the main couple finally agreeing to not kill and just kill “KILL” with a kiss instead, the on-screen Zombies must eliminate themselves, with their own suicidal tendencies, dispatching themselves on their own, with their own individual elan. For example, suicidal Zombie Production Assistant Laurel Anne Drummond’s bloody self-destruction is merely a vivid externalization of her post-tramautic stress from serving in Afghanistan while Dr Mendez’s heroic self-sacrifice on behalf of the Mazzy and Sydney gains them precious time for love. Oh well they do appear to kick the snot out of that little Zombie girl in a burqua…

Okay so while not exactly a Zombie’s Zombie movie? With these heroic Zombie roles, PONTYPOOL does succeed in elevating the Zombie movie to a comfortable place where the Zombie Actors’ Guild can and should endorse it. And with no outstanding labour complaints against it, the CMC can find no current reason to issue a Zombie fatwa on Bruce MacDonald or the rest of the Pontypool production team at this time. That said, we appreciate any feedback from the membership about this ruling. We will update the status of PONTYPOOL as these reports come in.

In the meantime, please enjoy the film and refrain from chowing down on director Bruce MacDonald. For now.

For your enjoyment the trailer is embedded below even though it unfortunately excludes showing any of our ZAG brethen.

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